SINGLE RELEASE: Jonathan Bree – ‘Fuck It’
WORDS BY CRAIG HOPKINSON
It could easily be said that our generation is the generation of apathy. Disenchanted, disenfranchised and disillusioned politically and in most cases financially. Yet we are fat from the foods of every far reaching corner of the planet, stuffed and lacklustre from the ease of access to vast and infinite forms of media now available, and choice is only ever a finger or thumb tap away. Millennials, now in adulthood, and what could be categorised as ‘post-millennial’ teenagers, now steer the wheels of the world and, like frustrated Punks in the mid 1970’s, artistry echoes the ‘vox populi’ and it’s lazy, frustrated screams.
Fuck it. That is the name of the latest single release by Jonathan Bree and that one forlorn phrase explains the message of the song perfectly. Fuck it.
From the tone of the lead vocal to the reverberated ‘80s influenced pad sounds, and even the music video; this piece is awesome and could be the dulcet war cry of our generation. If Aldous Huxley heard music in his head when he wrote ‘A Brave New World’ then it would have sounded like this.
In terms of the production of the song, there is a great use of reverb throughout. The whole song is very lucid and fluent thanks to an almost wet sounding reverb and delay effects unit. Like an original new-wave or post-electro pop piece, Fuck It is crammed with electronic keyboard chord progressions, perhaps a Korg or a Yamaha. Conversely, the main guitar riff sounds a lot more analogue to most of the other instruments used. The riff played continuously throughout the track, finger picked from the guitar chords used, almost has a vague hint of an American Country Music riff. The glue that holds this awe-inspiring yet apathetic and paradoxical song together, in terms of instrumentation, is the drum section. Such a heavy kick drum, married up with this crunchy snare, gives this lullabied melody some contrasting bite.
The surreal and slightly eerie music video looks as though it was filmed in the 1960’s. A black and white filmed room of dancing girls, dressed as though they are an episode of ‘Soul Train’. A complete contrast to the new-wave sound indeed. The eerie thing is; everyone in the video is wearing a fully lycra body suit, from head to toe, covering their faces. Why? Not a clue.
This really is such an amazing song. It effortlessly speaks in volume about the ills of our society, our generation and somehow encapsulates it and makes it beautiful. The music video is witty and thought-provoking and as a bit of a treat for our more lyrically inclined readers; Jonathan Bree posted the lyrics of the song in the YouTube video description.