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BRING THE DANCE: 2018’s Top 10 DJ Mixes


2018 has seen club culture experience both fantastic highs and some distressing lows. One thing that remains unchanged, however, is the passion, euphoria and boundary pushing that exists in modern electronic music. The art of the DJ mix is as powerful and necessary as ever, and this year saw many new faces, as well as some legends of the dance landscape, twist it into new dimensions.

Below are ten mixes that have made me grin, cry, clench my fists and punch the air and lose myself in deep thought consistently throughout 2018. Whether you’re into vast, eclectic house and techno experiments, silky and heavenly ambient or delirious drum’n’bass, there’ll be something for you to wrap your ears around here. As always, here’s to hoping you find something you love!

TRUANTS – Truancy Mix 228: Or:la

Hailing from Derry, Northern Ireland, Or:La has enjoyed a rightful boon over the last 18 months. She won hearts with her Boiler Room-documented set from Belfast’s AVA Festival last summer, and in September of this year she stepped into the hallowed Truancy booth and delivered what is, for this writer, the most sublime hour of music of the year. There’s an otherworldly flow to the mix, which reflects her narrative of ‘order into disorder’ as though it were broadcast from an alternate reality where life is blissfully blurry. No matter what stride or tone she settles upon (and there are a few here), her touch is mercurial, gracefully welding righteous humour into hypnotic techno contortions at the mid-way point and gliding through a finale of face-melting breaks, wonky EBM and star-gazing hardcore. Truly unique, truly un-fuckwithable.

Midland – As The City Sleeps

Midland’s ‘As the City Sleeps’ mix is one of 2018’s finest contributions to the ongoing ambient resurgence. He pulls at the tear ducts early via Bruised Skies’ ‘Low’ and Benoit Pioulard’s ‘An Image apart from Ourselves’. If there are any bleary-eyed cobwebs remaining halfway through then an excerpt from Jennie Livingston’s 1990 movie ‘Paris Is Burning’ meshed with Arthur Russell’s ‘Answers Me’ clears them completely. Conceived as a sort of companion piece to his 2017 ‘Fabric:Live’ mix, rounding off on Mark Hollis’ beautifully fragile ‘The Colour of Spring’ will fit perfectly against the backdrop of sunrise and the lo-fi thunder of the first train home.

Courtesy – Dekmantel Podcast 166

For what is, in my mind, the best Dekmantel podcast of the year, Danish techno heroine Courtesy turns in an hour of pounding hypnotism. Though she keeps the BPM rate bubbling at relatively similar levels throughout, it’s her versatility within that framework which makes the mix so captivating. Beautiful, dark, sometimes dystopian and always atmospheric, it pulls together a groove that seamlessly draws from different sectors and rejects tribalism. In essence, it does everything that is necessary for a properly communal listening experience.

SHYBOI – Resident Advisor Podcast 615

Discwoman member SHYBOI decimated Resident Advisor’s podcast series this year with an hour of visceral, warehouse-ready techno that oozes confidence and, crucially, wears a sense of fun on its sleeve throughout its intensity. It’s vital listening for both preparation for big nights out or just kicking away any start-of-week/day blues, especially it’s final fifteen minutes.

Hojo Clan – Clan Wars Podcast 004

March saw the enigmatic Hojo Clan collective deliver 40 minutes of searing, fist-clenching drum’n’bass experimentalism that feels like a pensive analogy for our nail-biting times. The narrative woven throughout of the mysterious warrior Kenshiro via the SoundCloud link is also to die for.

Call Super Essential Mix – 9/6/2018

One of the things that makes Joe Seaton, aka Call Super, such a special DJ is the fact that he almost always does the last thing one expects him too. One thing some of his mixes do have in common is a deeply personal element, and his Essential Mix from June of this year is founded on that same premise. It finds him in a deliriously joyous, party-starting mode as he rolls through an individualistic wealth of glorious house and techno, cheeky garage, and in the second half off-kilter selections, each of which’s atmospheres is allowed to be held strikingly on their own merits. And there’s THAT astonishing fusion of Donato Dozzy’s ‘Cleo’ and Shackleton’s ‘Blood On My Hands’ (both vital tunes in shaping and continuing my interest in dance music respectively) at the hour mark. All of it is overseen by his inimitable, unpredictable virtuosity that although deliberately choppy, never loses its sense of grace.

Breakwave NTS Jungle Set – 5/5/2018

Rising Liverpool DJ Breakwave turned to glorious, feel good jungle for the second episode of her NTS residency in May. Like all classic jungle sets, there’s a healthy, warm soulfulness emanating from the pours of the mix, and as the heatwave struck the UK this summer, listening to this felt like sheer transcendence. There’s the rumbling push-and-pull between light and dark at play too, before Orca’s ‘Alive & Kickin’ hits at the half-hour mark and the mood stays locked at Jubilation.

Mumdance – Shared Meanings

The now legendary Mumdance’s ‘Shared Meanings’ (available as a free download in mix form, a cassette, a 12” AND a DJ-friendly compilation) makes concrete his reputation as one of those rare DJs who basically never put a foot wrong. It’s an hour and a half of previously unreleased music from some of modern electronic music’s most forward-thinking names (Chevel, Bambounou, JK Flesh, Homemade Weapons, Isabella, Nkisi) that clings closest to Mumdance’s rawest, darkest roots whilst being constantly buoyant. It’s essentially the best of 2018’s outliers, presented in poetic form by someone who understands modern dance expressionism better than most others.

Facta – Crack Mix 236

For Crack Magazine’s 236th mix, Oscar Henson aka Facta draws on a wealth of unreleased and forthcoming material from the likes of Lurka, Duckett, and Hodge, and his opting to fuse the futuristic with the club-focussed works an absolute treat over these 50 minutes. It’s one of the year’s most trance-inducing and alluring examples of deep-set, wiggling diversity, stretching to include a cavernous slow-burner from Iglew, a tension-ridden dub of Tirzah’s ‘Reach Hi’, twinkling half-step vibes, Gqom! And some of the year’s smoothest low-end techno.

Electronic Explorations 501 – Imogen

2018 saw Rob Booth’s legendary Electronic Explorations series reach its milestone 500 episode mark. Rising London DJ/Producer Imogen carried listeners into the new century in no-holds-barred, grinding fashion, taking the zeitgeist of techno-fused-with-electro to unique and idiosyncratic places. The mark of a great mix is often heralded by standout tunes that sound remarkable in their given context and create entire new contexts in doing so. The muscular assault of RXDX’s ‘Accredition Disk’ in the mix’s final throes is one such moment, but when she wields Ron Morelli’s ‘Laugh Taker’ it genuinely feels as though she’s transcended and left humanity to its fate, giggling with glee in the process. She’ll be a dominant force in 2019.

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REVIEW: Constant Aura’s Multi-Arts Exhibition


If you’re in Manchester looking for multi-sensory aesthetic experiences, listen up. Constant Aura put on a Multi-Arts Exhibition on the 23rd of November, in the name of mental health charity, Hector’s House and it exceeded expectations. The event highlighted both the competence of the Constant Aura team and the importance of art.

The variety of experiences was surreal. One moment you’re squirting nectar from a flower in Thailand into your mouth while imagining somebody else’s nostalgic memories (and pretending the first thought that came into your head wasn’t ‘what would this taste like as a mixer?’), the next you’re singing along with a choir – in Swahili. It was an aesthetic version of a sushi restaurant.

The music from the live set was minimalist, mostly ambient and set a mood that inspired curiosity and open conversation – pretty fitting for an event raising awareness for mental health. The organisers were successful in designing an environment that promotes connection. A man that worked in mental health shared his poems with me in a casual conversation on a sofa. I sat on a bean bag with a filmmaker and he taught me about homelessness and mental health in Manchester. An artist called Liz explained how she works to me, and it changed the way I approach paintings. She also shared a few words about the event more generally.

“I was really pleased to be asked to take part in Constant Aura’s multi-arts event as part of a fundraiser for Hector’s House mental health charity. There have been several people with significant mental health issues in my family, and I also experience periods of anxiety and depression myself, so I know how important it is to have good sources of support when you’re going through a bad patch. Its also really important to take some time to look after your own mental well-being, and creative activities are fundamental to this in my opinion – that’s why it was great that the event not only raised money to help Hector’s House continue its valuable work but also raised awareness of the benefits of letting our creative side out to play more.”


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Poster for multi art exhibition in MCR in support of @hectorshere

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Constant Aura are toying with creative spins they can put on events, like integrating other forms of art in with music. It was exciting to see people doing this because the possibilities for introducing variety and novel experiences at events are limitless. We’ve all been to events where we’ve felt understimulated because the experience is too narrow and repetitive. This event was several planets away from that. Just before chatting with the poet, I was listening to the live performance of ambient music while trying to create my own abstract art, using the pencils and paper provided. Despite staring at a wall was covered with inspiring sources – (psychedelic animations & what I only know as abstract art) the result still looked like it belonged on some mothers fridge. When the poet sat down next to me and introduced himself, I quickly hid my creation away in my pocket. Who knows what these guys are going to organise next – I’m anticipating more good things.

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LIVE: Rush Hour Records @ The Warehouse Project | 13.10.18


Amsterdam record label ‘Rush Hour Records’ rolled into Manchester to get people’s feet moving at The Warehouse Project‘s Store Street venue. Stellar names such as Moodymann, Gerd Janson, DJ Nobu and the main man himself Antal were all in-attendance for The Warehouse Project’s first day party of the season.

I’ve always thought that The Warehouse Project is in its prime when doing these sort of day parties. The crowds seem to be better, there’s more dancing and the DJ’s bring their A-Game. Gerd Janson’s set was a prime example of this. A very disco-orientated set which was perfect for his time in the early evening. Dropping ‘Vogue’ by Madonna was probably the highlight of the whole event. Could any other DJ have got away with it? Probably not.

Moodymann was his traditional self. I’ve heard horror stories about him before but whenever I’ve seen him he’s always been great. Sure, you sort of always know what you’re going to get with him music-wise but it doesn’t make it any less enjoyable. He gets you dancing and you can’t really ask for much more than that. After this I snaked my way to Room 3 to catch Sadar Bahar. I’ve always thought this is the best room in The Warehouse Project. It’s tight and compact and sound is perfect. I’d never seen Sadar before but I’ll definitely be keeping my eye out for him at future festivals. He played a set, laden with big house tracks to get the blood pumping.

‘Rush Hour Records’ is pretty much the Holy Grail if you’re into house and disco. To see a line-up of such diversity in one of the best venues in Manchester was a joy to behold. This was The Warehouse Project night I was looking forward to the most and it didn’t disappoint.

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