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Manchester Arena

hans zimmer Live

LIVE: The World of Hans Zimmer @ Manchester Arena

WORDS BY LUKE LIDDLE  PHOTOS BY MANC WANDERER

35 years and over 150 films into his career, iconic German composer Hans Zimmer has curated a live symphonic retrospective of his vast body of work, which reached UK shores this week. Despite the fact that Zimmer himself is not a physical part of this tour, Manchester Arena, in its seated configuration is very close to being sold out, with a crowd from across the age spectrum coming to bask in some of the greatest ever celluloid soundtracks.

hans zimmer

As opposed to previous Zimmer-related tours, where individual songs from his films were performed, the pieces played this evening are mini-suites, starting with the themes from The Dark Knight and King Arthur. Zimmer himself appears in pre-recorded videos with a few of his film collaborators, including Ron Howard, who introduces selections from Rush and The Da Vinci Code. The latter is a sprawling mishmash of Zimmer’s ‘scrapbook’, his original ideas for the score, not all of which made it to the actual film. It twists and turns, by far the longest piece played throughout the night and somewhat overstaying its welcome.

After a 20 minute intermission, the mood changes significantly, with a joyous romp through some of the animated films that Zimmer has contributed to, from Madagascar and Kung Fu Panda to The Lion King, the latter proceeded by a video introduction featuring Lebo M, who provided the iconic chant at the start of the film. The feel-good factor is continued with excerpts from rom-com The Holiday, which takes on an almost rock flavour. The set then builds to a dramatic denouement, with Gladiator and Inception. Gladiator features the stunning vocals of Lisa Gerrard, the Australian artist who co-wrote some of the films’ work with Zimmer. The arena rises to its feet for an ovation, prompting a somewhat inevitable, yet thrilling, an encore of Pirates of the Caribbean.

‘The World of Hans Zimmer’ is a success as a production, a potent reminder of Zimmer’s vast influence across the world of film and music and a testament to the magic that he and his collaborators have created across the decades.

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