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Disko Never Dies – Remembering The Fall


When Mark E Smith died in January 2018, nights playing only The Fall seemed to spring up everywhere – well, London and Hebden Bridge – but surprisingly, not Manchester. Deciding this was not on, myself and Daniel Cooke, of Let’s Make This Precious, got in touch with the Star & Garter with a view of putting on a one-off Fall club night; strictly all The Fall, all night. Onlookers praised the talents of Smith and saluted his memory, late into the night.

The evening went off without a hitch so, it felt only right to do it once more, this time on Saturday 23rd March 2019 – one year on from the previous display of memorial affection for the Fall singer. Entry is £5 per person, with the night running from 11 pm ’til 3 am. Want to know more? You can RSVP to the event right HERE.

There’s room for this to become an annual celebration. Taking a look back at his career here are some tracks that we’ll be playing on the night that speak to a unique artist that remains peerless from his generation.

Rock n Roll isn’t even music really. It’s a mistreating of instruments to get feelings over

The Fall would have happened regardless of punk – the young Mark E Smith was already chaining Captain Beefheart, The Velvet Underground, CAN etc – but the ’76 moment provided an open door for Smith to sneak through and an infrastructure on which to launch. 

Industrial Estate is probably the only point in the Fall’s history where they sound aligned with what’s going on around them. This track was recently used at the end of Ben Wheatley’s film of the Ballard book High Rise, and was perhaps the only good thing about that film. There’s a bit of a parallel with Smith and Ballard; both lived in suburbia, writing about the weird from a non-metropolitan vantage point, and were sneered at for this.

The fact that weird fiction/horror writers like HPLovecraft, Arthur Machen and MR James are widely read now is thanks in no small part to Smith championing their work at a time when those names (especially Machen) had fallen well out of favour. Pulp horror would be a huge influence on Smith’s writing (Mark Fisher wrote brilliantly on this in his essay Memorex for the Krakens), and The Fall track, Wings, is the most successful, most thrilling embodiment of that. The song’s protagonist appears to be shot during the US Civil War, which is the trigger for him hitting a cosmic timelock darts him back to 1825 and then forward to the present, via gremlins and flabby time-traveling wings. Billy Bragg this ain’t.

The fact that The Fall burned through some sixty-six members is well-documented but is also a bit of a red herring if you’re looking for clues about the man. He was a great artist, he just looked nothing at all like our expectations of great artists. 6ft with a stoop and wearing your grandad’s slacks, he dressed like a man twenty years older than his age and cultivated an image more akin to a world-weary mafia boss than an avant-garde musician. But he was an avant-garde musician, which does mean that a lot of The Fall isn’t really aimed at the dancefloor. When it is, however, the results are thrilling. Hear the birth of LCD Soundsystem on Telephone ThingJames Murphy would even directly lift the track’s “I’m tapped” hook for the 2005 single Movement.

As Let’s Make This Precious‘ co-DJ Daniel Cooke likes to remind me, The Fall were nothing if not a great cover’s band. Victoria, There’s a Ghost in My House, White Lightening – some of the group’s definitive cuts were covers. Lost In Music is my personal favourite. Released in 1992, you can hear the influence of this track’s louche WMC disco all over Pulp’s His’n’Hers, which would come out two years later. Sensibly, Mark E Smith sat out the Britpop thing. Insensibly, he used it as an opportunity to go bankrupt.

There was a view peddled in obituaries last year that Mark E Smith declined as an artist, that the booze got to him; this is a wrong view. Imperial Wax Solvent, The Unutterable, Your Future Our Clutter – just three utterly indispensable post-millennium Fall albums, and there’s plenty more where that came from. Just listen to Dedication Not Medication, the electroclash banger from The Fall’s penultimate LP. You know that awkward moment when you go to the doctors over your chronic bedwetting, but the GP is Piers Brosnan and he’s prescribing you Curly Wurly bars? More than anything, Mark E Smith was overlooked as a surrealistic, a Manchester Magritte. And, just so you know, that bassline is about to demolish your flat.

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FESTIVAL: What to expect from Bluedot


Bluedot is back and it’s bigger than ever! The music and science festival has curated another stellar line-up full of mind-warping acts and science programmes this year and will take place, as ever, at Jodrell Bank Observatory. This year’s festival celebrates the 50th anniversary of the Apollo 11 moon landings so expect a very moon-themed weekend.

Bluedot has always been a festival that pushes the boundaries in terms of creating memorable and exciting experiences for its attendees. The mixture of science and music compliment each other well and under the gaze of the beautiful Jodrell Bank Observatory the festival really comes alive at night.

Headliners Kraftwerk, Hot Chip and New Order are joined by a great supporting cast of acts such as John Grant, Kate Tempest and Anna Calvi. Professor Tim O’Brien will present ‘One Giant Leap: Jodrell Bank and the Race To The Moon as well as other science programming that consists of Luke Jerran’s ‘Museum of the Moon’ and actual archive footage of the Apollo 11 landings in July 1969.

Kraftwerk need no introduction. If you’re into any electronic music then you can trace the roots back to Kraftwerk. The German electronic pioneers bring their 3D show to Bluedot and this is guaranteed to be one of the most amazing things anyone will see this year. Hot Chip are back in 2019 with a new album to boot. Very few bands are accomplished as them live so make sure you take your dancing shoes with you and you know what you’re going to get with New Order. Like Kraftwerk, their fingerprints are all over modern electronic music. They are the best band Manchester has ever produced. Period.

KRAFTWERK 3D Der Katalog 1 2 3 4 5 6 7 8 Kunstsammlung NRW Düsseldorf 2013

There’s also a solid DJ line-up consisting of the immense Maxine Peake, La Discotheque and MCR Live Resident, the fabulous DJ Paulette. No matter what you’re into, Bluedot has it covered. Tickets for the festival are still on sale but you’ll need to grab them quick before they disappear. I can’t recommend this festival enough so you have to be there!

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FESTIVAL: Inner City Electronic


Inner City Electronic returns to Leeds for another triumphant city-wide celebration of the best in electronic music. Taking places across a plethora of Leeds’ best venues, this festival is a 24 hour party mirroring Leeds’ cultural renaissance as a European-style 24 hour city.

With a stellar line-up thats consists of Nina Kraviz, Motor City Drum Ensemble, Bebn UFO, Nightmares On Wax, DJ Stingray, Craig Richards, DJ Boring, Moxie, Orpheu The Wizard, Shanti Celeste, Ralph Lawson, Willow and Ross From Friends and with parties hosted by Resident Advisor, Dimensions, Percolate and Transmission Funk there’s only one city to be in on June 1st.

The venues set aside for the festival are Brudenell Social Club, Church Leeds, Distrikt, Freedom Mills, Hifi, Hope House, Hyde Park Book Club, Old Red Bus Station, Sheaf St, Wire, The Wardrobe plus some other secret locations TBC. With venues ranging from 250 to 1700 capacity, the festival offers a unique experience to explore the city across a range of parties and events, from small intimate art galleries boasting state of the art sound systems to terrace parties, industrial warehouses and even an 18th century church.

These parties will be running alongside a vast array of workshops, showcases talks and masterclasses that focus on musical development, culture and technology and the music industry in general.

Last year’s masterclasses from the likes of KiNK and Prince Fatty, an ‘in conversation’ series of talks with artists Craig Richards, Paul Woolford and Midland and a range of talks and panels with numerous industry panellists. In addition inner city electronic played host to technology showcases from the likes of TPI Audio, Master Sounds, Pioneer, Rane, Akai and many more.

Tickets are still on sale for Inner City Electronic but make sure you’re quick and get yours sorted because they aren’t going to be sticking around for much longer.

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Bradford psych rockers FLING play “wonky pop”, according to them, and much more besides. They’ve had incredibly successful debut and sophomore years, rising out of a white-hot arts scene in West Yorkshire, standing out with a committed following to a unique live show and old-school glam rock aesthetic, with all the lipstick, stripy jumpers, dungarees and bright colours that come with it. Working with Lee Smith at Leeds’ Greenmount Studios, FLING record FLING OR DIE, a fruity cocktail combination of reworked singles and new releases, put out into the world on the 22nd February.

In short, the record holds up really well, especially as a profile and introduction to what this band is all about. Kicking off with Welcome To The City, a glam song about a refugee alien running away from his own planet, an opener you really lose yourself in, yet also hear their influences brazenly. Ziggy-era David Bowie and T.Rex spring to mind, with the singers sliding ’70s half rock voice heavily recalling to Marc Bolan (there’s even a bonus “radio-oh-oh” reference a la Starman chucked in there for good measure). This and the entire album set a great tone; jangling acoustic guitars, organs, under a picked indie bass and combined with surreal lyrics and nasal, catchy melodies.

FLING OR DIES’s strength is in the individualism of each track; not enough that it becomes non-cohesive, instead additional sounds and instruments add to the character. Some are absolutely out of left field, like steel drums, recorders, sequenced synthesisers, kalimbas, upright piano, ultra-compressed vocals, and the droning sitar which dominates Revolution. It’s this kind of disrespect for the pop rulebook that gives the album such a life to it, whilst the songwriting absolutely and 100% sticks the landing in setting the mood. Whether it be softly spoken like Je T’aime, cheeky like Just A Dog or Banjo Billy, or tub-thumping like Revolution and Black and White Fibbers.

But it’s more than that: every one of the 11 songs feels intensely involving, with all the energy of a hitchhikers-by-the-fire novella, stored in the crevices of the brain. An album that champions the slightly psychedelic and the bizarre, a cavalcade of expressive joy that leaves you with no choice but to go along for the ride of every song. If you can get your hands and ears on this album, for it is certainly worth the upside down ride.

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FESTIVAL: Top 5 live acts @ Parklife


Since its inception, Parklife Festival has always curated cutting-edge line-ups consisting of a wide range of genres. Now in its the 9th year it’s still growing and enhancing its reputation as the crown jewel in Manchester’s music scene. Take a look at our interview with the founder of  Warehouse Project and Parklife, Sacha Lord, and explore the creative mind behind the festival. This year’s line-up continues to put diverse and exciting acts at the forefront.

During the festival weekend, you do really feel the whole city of Manchester come together for one big party and it doesn’t look like this party is ending anytime soon. Here I’ll give my top 5 picks for who you need to see at this year’s Parklife. The line-up is jam-packed full of talent so this wasn’t easy. But here goes:


One of the most accomplished acts on the bill this year. Her unique style of soul-infused R&B is made for big festival stages. Her last album, 2016’s A Seat At The Table was genuinely ground-breaking so this isn’t something you want to miss.


Is there a better hip-hop album than Illmatic? Feel free to answer that one. Nas doesn’t need any introduction. One of the greatest rappers there’s ever been. Again, this is something you don’t want to miss.

Ben UFO & Call Super

Ben UFO & Call Super on their own would probably get onto this list. But both of them together? Absolute shoo-in. Who knows what they have planned for us but one thing’s for sure it’s going to get us dancing. Both are pioneers behind decks so expect some mind-bending greatness when they get the party started.

Ricardo Villalobos

The Chilean-born DJ and producer has been in the game for decades and still manages to completely mesmerise and surprise audiences. It’s difficult to really pin down what to expect from a Villalobos set as they’re always different so just expect something pretty unique.

Pusha T

The last time I saw Pusha T was at Parklife a few years ago. He was amazing that day so pretty sure he’s going to treat us all again this year. Always controversial and never boring if I had to put some money on it I’d say this will be the highlight of the weekend.

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Having toured with SLAVES and been compared to the likes of Deerhunter, Kurt Vile and Mac DeMarcoWillie J Healey is fast making himself heard. Summarised by a headline tour that started in February this year and is fast selling out, the Oxford native is making his way to YES in Manchester on said tour (20th February to be precise, you keen kids). 

His first album People and Their Dogs took months to pull together with the musician overthinking and stop/starting numerous times trying to get the perfect hit. Of course, it was suitably perfect because it had been meticulously fine-tuned and refined by its composer’s skilled mindset. By the time People and Their Dogs came to fruition, his second album was already on the cards. Subconsciously attracted to the phrase ‘666 Kill’ like a reverse exorcism, he constructed an ominous lyrical sketch of his own death at the hands of the devil. This unlikely muse possessed his creativity to the extent that he rushed downstairs to his garage-based studio and single-handedly recorded the vocals and all of the instrumentation in a single session.

“I’m not some kind of devil worshipper or anything like that,” he laughs. “I was trying to touch on different ideas I had: weird things like planes going missing and an obsession with death, which sounds depressing but at the time I found it really interesting. We all have weird little things that run across our minds and we generally don’t say them out loud. For good reason! But it felt like an exciting process to write in that style and not put a filter on it.”

Having performed with bands in Oxford from a young age, Healey turned to songwriting and developed his skills via open mic nights, acoustic shows and local support gigs. So it all fell into place and, in particular, the tour with SLAVES cemented him on the indie scene and not as ‘just-another-singer-songwriter’ but something with a punk twang that delves into broader topics than romantic emotions. “I try not to be too aware of trends, so I can focus on writing the best song I can regardless of whether I think it will be cool or not.” He notes how the great albums of the ‘70s feel out of time in contrast to the booming drums and slick production that places many ‘80s records firmly within their era. “A timeless classic will never go out of fashion.”

But what tracks are constantly on Healey’s ‘top tracks’ lists, always cemented in his mind and always looked to as a point of inspiration? Look no further than right here. You can see that he doesn’t follow the trends or stick to one genre just by listening in. So, what are you waiting for?

Joe Jackson – Is she really going out with him?

A classic, I can completely relate to young Joe in this track.

Squeeze – Cool For Cats

Another classic. A special british treat that makes my ears smile. Love you squeeze

Happyness – Anna Lisa Calls

I love this song so much. I must have played it 1000s of times, I wish I wrote it. More people need to hear it because it’s sick

The Boom Town Rats – Rat Trap

Bob G at his best. Most savage bass tone dirty dirty boys got the crowds going loopo

The Stranglers – Peaches

Another filthy british classic about oily skin and a love for bums so strong that they wrote a hit about it, good one gizzas.

Neil Young – Walk On

Neil Young’s response to people talking breeze behind his back. Feel ya Neil you beautiful hippy

Childish Gambino – Red Bone

This track is already a classic and it’s only been out for a couple of years.

Grover Washington Jr. – Just The Two of Us

Our old friend Grover WJ making hot sauce with chicken legend Bill Withers. Tears flow down my cheeks Bill, ya got me again. Sing me to sleep GOAT

Supertramp – The Logical Song

A song I’ve always loved. A young man losing his innocence..

Bill Withers – Use Me

Say no more Bill, sometimes it feels good to be used.

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Mealtime are the Manchester-based six-piece splashing a cotton candy coloured hue on to the grimy indie scene. With slots in the city’s smaller venues now under their belt, they’re soon taking to YES’ Pink Room for a full-frontal headline shake-up with Wyvern Lingo and Darcie, for the masters of promotion: DHP. Of course, ahead of this breakthrough, we wanted to sit down with the Mealtime organism. There were no shaking, quivering nerves here, pleased with themselves and humbled by the opportunity, Mealtime are keen to take the stage.


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@__mealtime , sick new band 😎🕺

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Having started its days as Sam Craighan’s solo project, Mealtime is now a completely harmonious entity consisting of six creative individuals who each understand Sam’s process. “It happened naturally! I’m very lucky to have been surrounded by five songwriters and producers. The creative process is 100% egalitarian now.” They wanted to be different from the norm, something new in a sea of whining, politically-orientated singer-songwriters and even in each of their sets Mealtime switches it up. A different member plays a different instrument for each track (bar Sam and Georgia who generally tend to stick to the lead vocal roles), further switching up the stereotype.  

Of course, their sound is different too. Inspired by noughties pop and R&B their sound is not the colloquial, indie anthems, instead, theirs is a robust synth-boosted indie-pop set that catches your attention throughout. Backed up by impressive visuals, you need just take one look at their social media platforms and you can see that Mealtime are ever the professionals. Currently, it’s brightly coloured fruits against similar coloured backdrops. “We’re tongue in cheek, but we don’t want a gimmick. We’re constantly evolving.”

A headline slot at one of Manchester’s most highly admired stages is quite the feat for Mealtime – or any band for that matter – during their early days. We’re told that they’ve acquired quite the back catalog now, having worked on their setlist and technique for the past 6 months, compared to the two tracks they currently have on music platforms. Sam expresses their keenness to get on the stage later this month: “We’ve been locked away, crafting it, and we really looking forward to playing it live.”

If you look at it technically, they’re supporting act at YES – Wyvern Lingo have a larger fanbase and have built up more gigs under their title. But realistically, Wyvern Lingo is little known in Manchester compared to their native Ireland, whereas “although [Mealtime] is a new project, we’re all seasoned musicians and Manchester is where we’re based. But we’d love to support them in Ireland given half the chance.” Coming up post-YES, Mealtime are releasing new music and also have festival features too (but they’re all very hush-hush at the moment) whilst they plan to present themselves as more defined, more polished and “distinctly Mealtime.”

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PLAN: Off The Record 2018


It’s back. Manchester’s multi-venue live music event and conference Off The Record is set for another show-stopping year. We’re very proud to be part of the trusted curation team for this years event alongside a distinguished array of influencers including our very own Everything Everything, Rob Da Bank and faves The Orielles. With all acts now collated and the phenomenal lineup announced, the next step is navigating the lineup across the different venues of Manchester’s Northern Quarter. Never fear, we’ve narrowed down a swift timetable of the acts you need to catch at this years’ Off The Record!

On Friday 16th November, kick things off with Nottingham based alt rockers Babe Punch at The Peer Hat set, to rouse your spirits with their grunge/punk mix as they commence the day at 18:40pm. Having supported the likes of Hinds, The Cribs and Ezra Furman, they’re well on their way to being up there amongst the movers and shakers of the music industry. On at the same time but definitely worth catching are Anglo/Korean duo WOOZE at 18:50 on Night & Day‘s stage with their compelling sound that of a warped pop that’ll be something entirely new to your ears.

After that you’ve got a bit of time to nip over to the Everything Everything curated stage at Band On The Wall, where MCR Live darlings Giant Boys beckon you at 19:30 with their minimalist take on post-punk. Theirs is a sound that entwines a Slaves-like level of recognisable Brit punk with something fresh and DIY, comparable to The Foetals to keep the pace going. Make a move towards the end of their set and you’ll have time to catch the end of female-led indie from an MCR Live curated choice, in the form of Thyla, who take the 19:50 slot at The Castle. Blending two quite opposing genres is no mean-feat and we can assure you that whether you go in to watch Thyla after listening to their music, or you rock up without the prior-knowledge, your head will be turned.

Then it’s a quick change over to Aatma for MCR Live residents Peaness – pronounced ‘Pea-ness’ – to brighten up your day (in the darkness at 20:25) with their self sufficient indie-pop which has seen them climb the ladder organically, finding fans in every corner that hears them. Next there’s a bit of a clash but it depends on what mood you’re in on the day. The feral garage punksters Avalanche Party hoist up Night & Day with their bare knuckles from 20:40 – expect nothing less than a snarling wilderness from these Yorkshire renegades. On the flip side, the otherworldly beauty of Pearl City at The Castle makes for a dreamy evening slot at 20:45 via their experimental sound that compromises a spectrum of instruments alongside spellbinding visual trickery.

Photo is Pearl City by Warren Millar

Glaswegian electro-pop might be something you never thought you’d come across but it’s here and it’s here to stay. Happy Spendy bring something new and alive to Aatma from 21:25, featuring their positively themed electronic whirl of wistful, occasionally romantic and always unique sound. Dive into Night & Day next and stay there for the foreseeable with Self Esteem followed by HimalayasSelf Esteem gives you a slice of Slow Club from singer Rebecca Taylor, now embarking on her own project and taking us all by storm with her. Drawing influence from everything and anything – pop culture, her experience’s in the band that she loved but was no longer the place for her creatively, and the freedom that came from stepping away, her new sound is dramatic, direct and deafeningly exciting.

Although we’ve penned this next MCR Live curated selection since 2016, the band have since gained notoriety for a set that is highly energetic, full of melody & cheekiness with ripping hooks – listen to this band once, and you wouldn’t be surprised that they’re all fans of Queens Of The Stone Age, Arctic Monkey’s, Jack White Straight up Rock’n’Roll. Liked The Blinders last year? You’ll LOVE these. It’s Himalayas of course, sinking their teeth into you at 21:45, headlining Night & Day.

The final live act of the day takes shape in the form of London based CHILDCARE. What gets better than being hand-selected by icons in their own right Everything Everything? Celebrating British awkwardness, this act formed off the back of male-nanny-turned-lead-singer Ed being heard singing by a six year old he was minding who pushed him to take it live. Now out in the open, this four-piece will win over fans of the likes of Baby Strange and Indoor Pets. Catch them at Band On The Wall at 23:30. The night is still young and Everything Everything then take to the decks of Band On The Wall as they close this years festival with a DJ set that’s sure to grab your attention, going on late into the night. It’s a long but fruitful evening ahead for many the music fan, what more could you ask for?

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ULTIMATE PLAYLIST: International Teachers of Pop


For an act that only started out of a chance back in January 2018, International Teachers of Pop have stormed the scene with supporting slot alongside legends, Jarvis Cocker and Roisin Murphy. With members from Eccentronic Research Council, The Moonlandingz and The Soundcarriers, there was never any doubt that when the three core members Adrian, Dean and Leonore united for ITOP that they would be anything short of phenomenal.

Their credibility shines through with their latest single ‘After Dark’ including a music video with award winning actress and ITOP fan, Maxine Peake.  ”Maxine is a long time collaborator with my other project, Eccentronic Research Council, so when ever I want someone to purge the daft ideas in my head and give them some kind of fuzzy artistic logic I always call on my bestest pal, Maxine. She’s the Klaus Kinski to my Werner Herzog. And although our video making budget only stretches to getting props and catering from B & M Bargains, I think we make it work for us, we always manage to pull the ship over the mountain!” Says Adrian.

On Saturday 27th October the collective finally play their first headline set at Salford’s The White Hotel, presented by local promoter Interior and supported by Londoners Los Bitchos. Ahead of the night, we managed to steal the group away and find out what their ultimate playlist would consist of if they were to pull it together. Be prepared, this class act don’t mince their words and are sticklers for a pure, out-and-out disco banger. Here we go:

Adrian Flanagan: Blame it on the Muzick – J.J. FAD

“This Dr Dre produced – electro rap party starter ticks all the boxes for me: 808 beats, pumping bass, sweet synth riffs, sarcasm, silliness. You can literally feel the sweat on the wall of the basement!”

Dean Honer: Hard Times – The League Unlimited Orchestra

“Sheffield Synthetic DNA – fantastic cut up dub mix by the genius that was Martin Rushent. Amazing what can be done with scissors and sellotape.”

Leonore Wheatley : A Camino Del Sol (Todd Terje Remix) – Antena

“I only came across these last year but this album is a party dominator. Simple, French vocals and a melody that just builds and builds with the addition of Balearic beats and harmonies. Another cocktail please barkeep!”

Adrian Flanagan: Who killed the Chicken – Lee ‘Scratch’ Perry

“For me, Scratch is the last of the true greats, an innovator, a scientist – a God in life form and bat shit bonkers. Long may he be the toaster with the most and the lord of the dub!”

Dean Honer: Give Me Back My Man – The B52s from Party Mix album.

“Keeping the the two girl theme going, this 7 minute party mix is ace. I love Cindy Wilsons voice especially when she sings about fish and candy.”

Leonore Wheatley: I Would Die 4 U – Prince

“I’m not going to try and go for the most obscure Prince track and sift through his back catalogue. ‘Purple Rain’ has and will always have the biggest influence on me. I would make up endless dance routines to this album, especially ‘I Would Die 4 U’. My Mum being a professional dancer, I tried my hardest to emulate her, so these ‘choreographies’ would obviously be stadium-worthy in my imagination. I remember seeing him when he played in Manchester a few years ago, I was 13 from the front (a rough estimate) in the middle of the stage and when he played this I was in that music video I created 20 years before.”

Adrian Flanagan: Miraculous Weekend – Peter Ivers

“It’s wrong on so many levels this song but it’s just so beautifully lovely. Peter Ivers’ life ended in tragedy when he was bludgeoned to death with a hammer as he slept. I like those kind of juxtapositions where you have a song so positive and almost naive but with a back story that is totally sinister!”

Dean Honer: From Here To Eternity – Giorgio Moroder

“We use quite a lot of 16th note sequences on the ITOP recordings. Moroder was the king prawn at that game. ‘I Feel Love’ is the greatest disco record ever created. But I chose this from his canon of bangers (as the kids say), because I like the vocoders and his sexy vocals.”

Leonore Wheatley: Love Like This Before – Faith Evans

“This has been doing the rounds a lot recently, it’s following me about. As I was a teenager in the 90’s, 90’s RnB was obviously going to show its face. All the backing vocals, she’s mingling all over the place, that iconic bass line. I’m putting it on again, hang on.”

Adrian Flanagan: Disco Clone – Christina

“A high camp disco classic. Your hard earned night out should be filled with total abandon, otherwise what is the point of putting up with a ‘stickleback twat’ of a boss all week? I’m literally dancing around in a rah rah skirt, doing a helicopter with my penis when this track comes on, albeit – in my head in a dark corner of the club!”

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UPCOMING: FREE VIBES x MCR Live | 20.10.18


Now a classic amongst those in the know, Free Vibes is a monthly slot at Band On The Wall that pulls together a host of talented new acts and sets them up on one of the city’s most renowned stages. Muses of the Manchester music scene often reign in and present collaborated versions of the gig  including Sabotage and Amazing Radio so of course – it’s our turn.

With such a wide selection of talent across the country it was nigh on impossible to narrow down the amount of acts we had available to us – the choice was no where near easy! But our curated lineup sees a selection of artists that we’re sure will whet the appetites of many an attendee.

In the headline slot on Saturday 20th October are London based dream pop-sters Honey Moon. Making shapes with Manchester independent record label Heist Or Hit, the quartet are gracing us with their first Manchester gig and what better a place than the iconic Band On The Wall stage. Sultry dream pop oozes from each track they’ve thus far presented, including their recently released EP ‘Four More From…’ which has been met with adoring praise from fans of the up-and-coming “boys from the big smoke”.

Also on the bill are Manchester five-piece: URF, with their technicolour of female-fronted neo-psychedelic shoegaze. Just two days after, the diversity of this group holds it’s own as they support the one and only Brian Jonestown Massacre on the Sheffield leg of their current tour. Theirs is a sound unlike no other with theatrical vocals and powerful drums juxtaposed against a wave of spiralling guitar and keys, held together by a sturdy bass-line.

Earlier on in the evening are another fiercely female represented act in the form of Écru. Ambient, downtempo, and atmospheric, their sound presents a welcome calm to our Free Vibes evening, presented by the mesmerising vocals of Manchester singer Jade Mannion – a heavyweight amongst the ethereal, acoustic scene.

Last but certainly not least are the North West’s most promising new act, Saint Ivy, who recently made for a phenomenal headline set at Night & Day Cafe with their achingly-indie soundtrack that is sure to capture the attention of the floor each and every time they are presented. Eclectic enough? Sign up for your FREE tickets and we’ll see you at the door!


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