LIVE: Self Esteem @ YES
Due to growing frustrations and worries of a career seemingly stalling, Rebecca Taylor, formerly one half of Slow Club, left behind folk to create a pop/R&B music project. Thus, Self Esteem was born, with Rebecca releasing her debut album Compliments Please on March 1st, to critical acclaim.
They band come out and go straight in to Rollout, the stage is lit in a radiant red and so are the band in all red top/trouser combinations. Every member apart from Rebecca is wearing a t-shirt with the phrase, “believe in women” and female empowerment is a key theme throughout the set. Rollout sees Rebecca assert a dominant stage presence, she is front and centre, as they begin going through choreographed dance sections, that aren’t exactly strenuous but none the less are perfect visual aids to the grooves of the songs. It was interesting to note that when the backing singers weren’t needed, they stood perfectly still and expressionless, as if they were androids in low power mode. This suited the mix of electronic R&B on wrestling perfectly.
The longer the set went on, the more endearing Taylor became, her sense of sarcastic humour winning over the crowd by being naturally disarming. At one point saying, “this is the Self Esteem live experience, lets keep doing it I suppose”. At one point she notes that she’s been going through the set too quickly, so resorts to asking the crowd what they for tea. Out of the various answers, Risotto is the answer that strikes her as the oddest, the whole moment feeling like a off-kilter fourth wall break.
Taylor still hasn’t quite left behind all of her folk roots, the track Girl Crush sees the singers lay down finger clicks as a kind of makeshift bass line, mixed with some soaring fiddle parts in the backing track. A lot of the tracks off of Compliments Please dealt with Taylor‘s sense of identity, in both a sense of doubt and contrastingly in a sense of self-positivity. Self Esteem‘s live show focuses more on the positive aspects, in fact it is an experience of unbridled joy.
The performance of In Time is a monumental moment of bliss. Rebecca‘s vocals are completely transparent, she sings with a booming, crystal clear clarity. A singalong starts and Taylor breaks her composure occasionally to laugh in disbelief at the overwhelmingly positive reception from the crowd. “I feel like Robbie Williams“, she exclaims before starting The Best. There are further moments of disbelief and outbursts of laughter before they go off for the encore. The reciprocal joy felt between both audience and artist was quite remarkable to behold.
Taylor comes back, almost in tears and says, “is this what getting married feels like?”, the first track in the encore is Favourite Problem, which has a gloriously anthemic chorus, especially with the triple threat of the vocalists in full swing. The highlight of the night was the final song, I’m Shy, which was performed in the middle of the crowd acoustically. It was a truly special moment to end a special night, a real focus on mesmeric vocal highs that brought the room to a standstill. The band members form a makeshift conga line and leave the room. It was a stunning set that gathered more and more joyous momentum the longer it went on, it was a shame that they had to end their set.